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C.G. Boerner is an art dealership that has focused on prints and drawings of the finest quality since it was founded in Leipzig in 1826. With offices today in Düsseldorf and New York, we work with museums and private collectors worldwide. While our reputation is chiefly based on our specialist knowledge of such old masters as Schongauer, Dürer, and Rembrandt as well as of the prints and drawing by the German Romantics, we also deal in prints by other important European artists, among them Mantegna, Burgkmair, Piranesi, Goya, and Degas.
Harris Schrank specializes in exceptional examples of fine “pre-contemporary” printmaking, including both old and modern European masters, and early 20th Century American printmakers.
Image:
Albrecht Dürer: Knight, Death and Devil
Image:
Martin Lewis: Shadows, Garage at Night
Exhibiting Artists
Hendrick Goltzius, Tethys - Galatea, ca. 1589-90
chiaroscuro woodcut printed from three blocks in black, ochre, and brown 350 x 260 mm. New Hollstein 296 IIIb
John Marin, Downtown, The El, 1921
etching, proof before steelfacing; 178 x 228 mm. Zigrosser 134, only state. Published by Alfred Stieglitz, before the edition of about 30 impressions
Andrea Andreani, The Virgin and Christ Child with the Infant John the Baptist, Saint Francis, and Saint Catherine (after Jacopo Ligozzi), 1585
chiaroscuro woodcut from four blocks; 435 x 347 mm. Bartsch vol. 12, p. 67, no. 27 third (final) state
Jacques Bellange, The Death of Portia, after 1613
etching with stippling and engraved inscription; 243 x 188 mm. Walch 6 only state; Worthen/Reed 5; Griffiths/Hartley 40
Camille Pissarro, Paysanne au Puits (Peasant Woman at the Well), 1891
etching and aquatint on an ivory laid paper; 235 x 194 mm. Delteil 101, third state (of 3)
Camille Pissarro, L’île Lacroix, à Rouen, c. 1887
etching, aquatint, maniere grise, drypoint, burnishing. 115 x 159 mm. Delteil 69, second state (of 2)
Carl Wilhelm Kolbe the Elder, Damon et Phillis, 1805
etching on chine appliqué; 340 x 464 mm. Martens 284 fourth (final) state
Marcelle Hanselaar, Warring Couple (#20), from The Crying Game, a series of 30 prints, edition 30
etching and aquatint; 200 x 250 mm
Christoffel Jegher, Portrait of a Bearded Man – The Doge Giovanni Cornaro (after Peter Paul Rubens), ca. 1630
chiaroscuro woodcut from four blocks; 285 x 214 mm. Nagler 18; Hollstein 20 first state (of two)
Johannes Lutma the Younger, Posteritati Ianus Lutma, ca. 1681
punchwork engraving (opus mallei); 304 x 210 mm. Hollstein 6 first state (of two)
Johannes Lutma the Younger, Johannes Lutma Aurifecx, 1656
etching with some punchwork; sheet: 260 x 218 mm. Hollstein 5, only state; Rovinski 73.75
Hendrick Goudt, The Mocking of Ceres (after Adam Elsheimer), 1610
engraving; 326 x 252 mm. Dutuit 6; Weizsäcker vol. 2, p. 139, no. 19 first state (of two)
Hendrick Goltzius, Apollo, 1588
engraving; 347 x 259 mm. Bartsch 141; Hirschmann and Hollstein 131; Strauss 263; New Hollstein 151
Francois Bourlier, River God (after Giulio Romano)
engraving; 226 x 347 mm. Inventaire du fond francais (17e siècle) 4
Martin Lewis, Shadows, Garage at Night, 1928
drypoint, 251 x 301 mm. McCarron 69, only state, from the total printing of 49
Howard Cook, Chrysler Building (Chrysler Building in Construction), 1931
wood engraving; 256 x 170 mm. Duffy 122. Edition 75, only 50 printed
Giorgio Ghisi, Allegorical Figure Holding a Sphere (after Giulio Romano), ca. 1565
engraving; 244 x 154 mm. Bartsch, vol. 15, p. 399, no. 34; Lewis/Lewis 38 (only state)
Margarethe Geibel, Goethehaus-Zyklus: Junozimmer, 1909
color woodcut from five blocks on Japan paper; 280 x 319 mm. Sheet 14, Geibel no. 57
Martin Schongauer, Ornament with Parrots and Birds, before 1474
engraving; 108 x 154 mm. Bartsch 114; Lehrs and The New Hollstein 109 only state
Israhel van Meckenem, Saints Simon and Matthew
engraving; 212 x 142 mm. Geisberg 249; Lehrs and Hollstein 298 first state (of two)
Hans Burgkmair the Elder, Lovers Surprised by Death, 1510
chiaroscuro woodcut printed from three blocks; 208 x 148 mm. Bartsch 40; Hollstein 724
Rembrandt Harmensz. van Rijn, Death Appearing to a Wedded Couple from an Open Grave, 1639
drypoint and etching; 109 x 78 mm. Bartsch 109, White/Boon only state; Hind 65; New Hollstein 174, only state
James Abbott McNeill Whistler, The Dyer, 1879-80
etching and drypoint on laid paper; 306 x 240 mm. Glasgow 192 before the first state (of 10)
Paul Gauguin, Wayside Shrine in Brittany, 1898–99
woodcut on tissue-thin ivory-toned Japan paper; 152 x 228 mm
Albrecht Dürer, Der Reuter - Knight, Death and Devil, 1513
engraving; 244 x 188 mm. Bartsch 98; Meder 74 a? (of g)
Hendrick Goltzius, Tethys - Galatea, ca. 1589-90
chiaroscuro woodcut printed from three blocks in black, ochre, and brown 350 x 260 mm. New Hollstein 296 IIIb
John Marin, Downtown, The El, 1921
etching, proof before steelfacing; 178 x 228 mm. Zigrosser 134, only state. Published by Alfred Stieglitz, before the edition of about 30 impressions
Andrea Andreani, The Virgin and Christ Child with the Infant John the Baptist, Saint Francis, and Saint Catherine (after Jacopo Ligozzi), 1585
chiaroscuro woodcut from four blocks; 435 x 347 mm. Bartsch vol. 12, p. 67, no. 27 third (final) state
Jacques Bellange, The Death of Portia, after 1613
etching with stippling and engraved inscription; 243 x 188 mm. Walch 6 only state; Worthen/Reed 5; Griffiths/Hartley 40
Camille Pissarro, Paysanne au Puits (Peasant Woman at the Well), 1891
etching and aquatint on an ivory laid paper; 235 x 194 mm. Delteil 101, third state (of 3)
Camille Pissarro, L’île Lacroix, à Rouen, c. 1887
etching, aquatint, maniere grise, drypoint, burnishing. 115 x 159 mm. Delteil 69, second state (of 2)
Carl Wilhelm Kolbe the Elder, Damon et Phillis, 1805
etching on chine appliqué; 340 x 464 mm. Martens 284 fourth (final) state
Marcelle Hanselaar, Warring Couple (#20), from The Crying Game, a series of 30 prints, edition 30
etching and aquatint; 200 x 250 mm
Christoffel Jegher, Portrait of a Bearded Man – The Doge Giovanni Cornaro (after Peter Paul Rubens), ca. 1630
chiaroscuro woodcut from four blocks; 285 x 214 mm. Nagler 18; Hollstein 20 first state (of two)
Johannes Lutma the Younger, Posteritati Ianus Lutma, ca. 1681
punchwork engraving (opus mallei); 304 x 210 mm. Hollstein 6 first state (of two)
Johannes Lutma the Younger, Johannes Lutma Aurifecx, 1656
etching with some punchwork; sheet: 260 x 218 mm. Hollstein 5, only state; Rovinski 73.75
Hendrick Goudt, The Mocking of Ceres (after Adam Elsheimer), 1610
engraving; 326 x 252 mm. Dutuit 6; Weizsäcker vol. 2, p. 139, no. 19 first state (of two)
Hendrick Goltzius, Apollo, 1588
engraving; 347 x 259 mm. Bartsch 141; Hirschmann and Hollstein 131; Strauss 263; New Hollstein 151
Francois Bourlier, River God (after Giulio Romano)
engraving; 226 x 347 mm. Inventaire du fond francais (17e siècle) 4
Martin Lewis, Shadows, Garage at Night, 1928
drypoint, 251 x 301 mm. McCarron 69, only state, from the total printing of 49
Howard Cook, Chrysler Building (Chrysler Building in Construction), 1931
wood engraving; 256 x 170 mm. Duffy 122. Edition 75, only 50 printed
Giorgio Ghisi, Allegorical Figure Holding a Sphere (after Giulio Romano), ca. 1565
engraving; 244 x 154 mm. Bartsch, vol. 15, p. 399, no. 34; Lewis/Lewis 38 (only state)
Margarethe Geibel, Goethehaus-Zyklus: Junozimmer, 1909
color woodcut from five blocks on Japan paper; 280 x 319 mm. Sheet 14, Geibel no. 57
Martin Schongauer, Ornament with Parrots and Birds, before 1474
engraving; 108 x 154 mm. Bartsch 114; Lehrs and The New Hollstein 109 only state
Israhel van Meckenem, Saints Simon and Matthew
engraving; 212 x 142 mm. Geisberg 249; Lehrs and Hollstein 298 first state (of two)
Hans Burgkmair the Elder, Lovers Surprised by Death, 1510
chiaroscuro woodcut printed from three blocks; 208 x 148 mm. Bartsch 40; Hollstein 724
Rembrandt Harmensz. van Rijn, Death Appearing to a Wedded Couple from an Open Grave, 1639
drypoint and etching; 109 x 78 mm. Bartsch 109, White/Boon only state; Hind 65; New Hollstein 174, only state
James Abbott McNeill Whistler, The Dyer, 1879-80
etching and drypoint on laid paper; 306 x 240 mm. Glasgow 192 before the first state (of 10)
Paul Gauguin, Wayside Shrine in Brittany, 1898–99
woodcut on tissue-thin ivory-toned Japan paper; 152 x 228 mm
Albrecht Dürer, Der Reuter - Knight, Death and Devil, 1513
engraving; 244 x 188 mm. Bartsch 98; Meder 74 a? (of g)
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